Posted by Austin Savage, Observer for the Society of Directors & Choreographers for The Good Negro
Hello Goodman blog followers! The Good Negro has just completed its tech week and we are ready to start fine-tuning the show for our May 10th opening. Since the beginning of my participation in the show, I have observed a few interesting things that feel compelled to share with you:
1. Ever since the first day of rehearsal, director Chuck Smith has yet to remove what he calls his “working cap.” This ever-present cap has become integral to my image of Chuck. The equation is essentially: Thoughtful Director + Hat = Chuck Smith.
2. Tracey Scott Wilson is SUPER-photogenic. Her headshot on page 8 of the Goodman’s OnStage magazine is pretty cool. She writes even better than she photographs.
3. I find that I am able to identify with the vices of my heroes much more easily than I identify with their virtues. Their vices give me confidence that my virtues are as attainable to me as their virtues were to them. That gives me hope for not only for myself, but for humanity on a larger scale.
4. This cast can act. As my friend Russo would say, “They got some chops.”
5. The biggest difference between my previous theatrical experiences and this one is the amount of care that has been involved in this production. Every person I have encountered in this production cares. This is the first project in my burgeoning career in which the amount of sincerity and genuine passion for the piece is apparent in every aspect of the show, from the soles of the shoes to the powerful performances on stage. I hope you can all make it out to the show.
Hoping to one day see the top of Chuck’s head in person,