Hooray, hooray, hooray!

Posted by Molly Brennan (The Professor)


Sunday night rehearsal:

Tonight's only four hours, some Equity thing, “Daylight Rest,” I guess. I don't know. I'm new to Equity. Nearly 40, and having made my actor living thus far without joining the guild, I'm a bit behind in terms of how this whole union thing works.

I'd spent the day rehearsing something altogether different. I went out to Oak Park to sing the songs from 500 Clown and the Elephant Deal with Mr. John Fournier. I was comfortable snarling and staggering and weaving my way around Fournier's basement, belting out his hilarious lyrics in preparation for our appearance at Petterino's in a couple weeks. THAT'S what I'm used to.

But Sunday night is at the Goodman. THE GOODMAN. An involuntary grin or involuntary nausea makes an appearance whenever I think about it. We're running Act II, according to the call. It's shorter in runtime compared to Act I, but more complicated for me in terms of The Professor's prop sets, sleight of hand, changing into a chorus girl, etc.

I had run my beats at home, trying to remember my dance steps to the “Harp Ballet” so I don't break Mara Davi's face with my foot, and I STILL can't get the “Long Island Lowdown” steps: standing up onto the chaise with the uke, getting the “Three Musketeers” number down, etc, etc.

"Don't screw it up, Brennan," I tell myself on my bike ride from the Ukrainian Village to 170 N. Dearborn. I pull up to the theater and see my face HUGE on the marquee between two of my three Marx brothers: Jonathan Brody and Joey Slotnick. "Your face is all over town. DO NOT stink," I tell myself.

I walk in ready for action. As always, I get a little nervous entering that rehearsal room. Everyone is at the top of their game. Stage management is impeccable, the musical director Doug Peck is precise and positive, the cast is PRO. Half New York, half Chicago, everyone FANTASTIC. Paul Kalina, my 500 Clown brother, partner, friend is the Clown Director for this show, and my lifeline to reality. (Or MY reality...which may be unrecognizable by some standards...)

Chicago star Ora Jones gives me a mock scolding look for having missed the cast's brunch at m. henry. Mara, whose energy and talent are matched by her appetite fills me in on what was ordered and eaten. Thank goodness they got the bliss cakes and the Fannie's egg sandwich. Jessie Mueller missed brunch, too, and promises she had her sprained ankle elevated. As long as she doesn't sprain her golden vocal cords, we're good. Enter the handsome Fred Astaire incarnate Tony Yazbeck and we're met. Really? These are the people I'm working with every day? What am I doing here? Heavens!

The ever calm, clear and organized Joe Drummond calls us to order, and our director Henry Wishcamper speaks.

Henry is awesome. What a leader. The type of leader I want to follow. His voice only rises in volume when he is excited about what we're doing. And years fall off when he gleefully gives us fun and funny and beautiful things to do onstage. He becomes a kid. He is also thoughtful, intelligent and a good listener. I want to make him happy. I think we all feel that way.

So, Henry speaks. Solemnly. My apologies for not remembering his exact words, but to paraphrase:

"I decided instead of running Act II tonight, we'd drink beers and watch Marx Brothers’ movies."

A cheer rises. Ed Kross bounds forward to hug Henry. I'm still figuring it's a joke until I see the actual beer, the actual TV and DVD player, and am eating the actual organic chocolate truffles Broadway veteran Stanley Mathis has brought for us.

The lights go down, and I sit with Paul and Ora and the rest of this unique and massively talented cast and crew, and we laugh and clap together through Night at the Opera and Day at the Races, inspired by the genius of these long-ago artists.

We are working very hard on Animal Crackers, picking up new skills, playing multiple characters, singing, dancing, prat falling. What a perfect way to spend our evening rehearsal, celebrating together, and learning from the folks we are playing in this refreshed version of a classic film and play.

I am lucky. Lucky, lucky, lucky.

I'm enjoying the work we're doing now, and look forward to September 18, to play with these amazing folks to a packed house.

Hooray, hooray, hooray!

Honk!

Molly B

Photos of Molly Brennan and Henry Wishcamper in rehearsal by Eric Y. Exit.

Animal Crackers Rehearsal Began Today!

Hooray for Captain Spaulding!

When a celebrated painting goes missing from Mrs. Rittenhouse's fancy house party in honor of African explorer Captain Jeffrey T. Spaulding, her guests set out to find the thief in a series of madcap antics and exploits. Based on the original Marx Brothers' Broadway hit and film classic, the Goodman's contemporary adaptation of Animal Crackers is an outrageous rollicking, laugh-out-loud musical comedy.

Rehearsals began TODAY!

(l to r) Molly Brennan (The Professor/Harpo), Jonathan Brody (Emanuel Ravelli/Chico), Ed Kross (Horatio Jamison/Zeppo) and Joey Slotnick (Captain Jeffrey T. Spaulding/Groucho)

(l to r) Jonathan Brody (Emanuel Ravelli/Chico), Stanley Wayne Mathis (Hives/Roscoe W. Chandler) and Molly Brennan (The Professor/Harpo)

(l to r) Tony Yazbeck (Wally Winston/M. Doucet) and Mara Davi (Arabella Rittenhouse/Mrs. Whitehead)

Photos by Eric Y. Exit.

Want to see more photos of the talented cast in rehearsal? Click here!

Go Behind the Scenes with the Cast of Animal Crackers

Hooray for Captain Spaulding! Go behind the scenes with the cast of Animal Crackers, an outrageous, hilarious audience favorite based on the original Marx Brothers’ Broadway hit and film classic—with an original Goodman twist!

We welcome you to join the conversation. Feel free to respond to our artists—or post your own thoughts about Animal Crackers.

We'll see you at the theater!

A True Gift

Posted by Elizabeth Ledo (Flora/Eve in Boleros for the Disenchanted)

We are approaching our final week of the Boleros run. This has been an incredible experience and the audiences have been just wonderful. Joe Minoso (who plays Eusebio/Oskar) and I walk back to our dressing rooms every night after the curtain call and just shake our heads saying, "We are so lucky to get to do what we do."

Near the end of the play, Joe and I are standing behind the scrim dressed in our clothes from Act One. As we wait to be revealed in the play’s final moment, we can really hear how the audience takes in the last three minutes of the play which are, in my opinion, fiercely moving. Feeling the audience experience all they go through in those final moments is nothing less than awesome. There is an overwhelming surge of emotion, and Joe and I just look at each other and smile and share our thanks to the universe. It will be one of the moments I will miss the most.

I am really going to miss this group. I have been thinking about that as the last performance approaches; I know from experience how fast the final week flies. I have been very lucky in my career to have been part of casts that grow into mini families. Sure, there are sometimes black sheep, but for the most part I have truly been blessed with tight, good-natured casts. This is indeed one of those casts, and I will miss them all. We have wonderful playfulness off-stage that keeps the spirit and energy up on stage, especially on two-show days and during the long haul of a five-show weekend.

I have so enjoyed going to work these last two months. It’s been a true gift.

On Opening Night

Posted by Elizabeth Ledo (Flora/Eve in Boleros for the Disenchanted)

This week has been quite hectic with family coming in for the show and, of course, the holiday. It was a real treat to have a day off for the Fourth of July. I’m not used to theaters giving us days off on holidays like the Fourth. I always wonder why more theaters don’t have the day off, since audiences are usually small because people have other plans. It was so nice to have Friday and Saturday off to enjoy the weekend.

We opened last Monday and it went very well! It was evident that we were all eager to start the run because we were all giddy backstage. Everyone was hyper, popping in and out of their dressing rooms playfully chiding one another. I love that energy, especially with a piece like Boleros that really needs to drive. And we all had a great time doing the show.

My parents came for opening, which was really special for me because my father is Cuban and I wanted to share this experience with him. My folks see everything I do, but don't always get to make the openings because of scheduling. When I was cast in this show, I made it very clear that I wanted my parents in the audience for opening night.

My father was born in Havana in 1947 and came over to the US in 1962, so he has faced many of the themes in this play. When my Abuela (grandmother) was growing up in Cuba, she was just two years older than my character Flora. My Abuela just passed away this March, so doing this production has been part of my grieving. My Abuela inhabited many of Flora’s qualities. They are both very pious and very stubborn, and I celebrate my Abuela’s memory every time I tell Flora's story.

We had the day off after opening and got back to the show on Wednesday. We had a show Wednesday night and two on Thursday. It’s always a bit of a challenge to get back to a show after the big opening night. You just have to really settle in and keep your wits about you. We are back in the groove now, and all of us are looking forward to the run. I think it is such a lovely play to be doing in the summer. It feels so right to me.

I have to mention, too, how much I adore this cast and crew. It’s such a wonderful group of people and I feel so very blessed to be doing this production with them all. It’s always such a great gift when you get a dynamite group like this. I am grateful that I get to do what I love for a living—and having a gang like this to do it with seems almost criminal. :-)

All in Five Weeks

Posted by Elizabeth Ledo (Flora/Eve in Boleros for the Disenchanted)

We are at the mid-point of the preview process with Boleros and it has been very exciting. It is such a gift to be able to have close to a dozen previews before the official opening because you learn SO much from the audiences. We have made some small—and some big—changes this week because of what we have learned. I always enjoy thinking back to the first few previews when I am about to close a show and musing about how much it has blossomed.

The audiences have been truly lovely and the show is getting a nice reception. We were all so exhausted Sunday night due to the arduous tech week, and yet the audience was on their feet at the end of the show. Last night many of us remarked that we felt a bit “wonky” and attributed this feeling to getting back on our feet after a couple days off, but my friends in the audience said that the show was solid. You just never know!

We are meeting today for a few hours of rehearsal before our fifth preview performance and I think it may be our last called rehearsal. It goes so fast! It really feels like yesterday that I met this lovely cast and we sat down and read the play out loud together for the first time. Now we are sharing the whole thing with close to 700 people a night. All in five weeks!

—Elizabeth

First Preview

Posted by Elizabeth Ledo (Flora/Eve in Boleros for the Disenchanted)

Last night was our first preview for Boleros for the Disenchanted. As always, I was quite anxious and eager for our first audience. When you perform in front of an audience for the first time, the final element of the play falls into place. After living with the play in the intimacy of the rehearsal room and then going through the process of tech, giving the play over to unknown guests is always a bit jarring for me at first.

The house was full and we really could not have asked for a warmer and more charged reception. I felt like the audience was with us the whole way—taking all the turns from humor to despair to humor again. It was a true thrill and gave us a great boost out of the gate.

I am looking forward to our week of previews and to see how the play is received by new eyes and ears. Preview performances provide a great opportunity to learn more about the play.